Showing posts with label book repair. Show all posts
Showing posts with label book repair. Show all posts

Wednesday, October 27, 2010

Bookmending - repair that repair!


Another book-repair post, largely information that my regular readers have run into here before, or knew anyway. It may be new to passers-by.

This is a case where I took a book apart because the bad repair job someone did on it was driving me nuts.

I try not to let people who repair books badly annoy me so much, but years as a librarian, facing well-meaning ladies who would put stripes of Scotch™ tape across the pages on each side of a binding break, and hand it to me with a beatific smile and an "I helped you by fixing this poor book" -- while I tried not to dive across the desk and conk them with it -- depleted my stock of patience. Which was never high.

Tape on pages doesn't hold a book together, it only pulls on the pages it's attached to, crumples and rips them, it makes a mess, why do they think it will help??

But anyway, this is different, and I ought to have a little more tolerance for people who glue the text block into the spine. It's wrong, but I grudgingly admit that it seems logical to them.

To any readers who don't know this :

The actual spine of a hardbound book is, 99% of the time, not supposed to adhere to anything.

This seems counterintuitive but it's true. The text block has a backing that extends onto the book cover, and attaches there only. Then the attached part gets covered up by the endpages.

Yes, really, trust me. Pull down any hardcover book and peer down inside its spine. You can. You can even hide notes and paper money in there if you want to. That's because it's unattached, OK?

Allow me to illustrate with a 2174-page 1935 Lincoln Library, which is huge enough for its structure to show clearly in a photo :



Back to the problem book I worked on: someone, many years ago, glued it back together by gluing the text block to the spine, and not only that, but didn't even place the text block correctly inside the cover. He/she slud (past tense of slide - implies sloppiness, as opposed the too-neat word "slid") it down to the bottom edge.

URGH.

Here, I'm gently separating the spine from the text-block (the text-block is the complete bundle of actual pages). It's worth a very careful try, though in most cases, they won't separate and you need to leave it as is. In this case, the repair job was so old that the glue had become nice and brittle, and released the spine intact :





Fixed now. As well as I can fix it. The spine is now free from the pages, shown by the inserted dollar. It's more obvious in the Lincoln Library photo, further above. I can only make the book so neat after what it's been through, but handling it doesn't drive me nuts anymore.

Saturday, September 19, 2009

More book repair stuff


Since I was fixing these 2 books anyway, it occurred to me (after I'd gotten started, of course) to document and post another book repair entry, this time showing what I do when a book has completely split apart.

For anyone who happens by -- I talked about the basic materials in my first post on repairing books -- so I won't repeat that here, I'll just refer any interested readers to that post, but I will repeat one thing which is too important to skip:

NEVER repair a book unless you are willing to destroy its value. Repair pretty much does exactly that. If you want to sell it, collectors would rather have it in disrepair. Really. Repair only no-value books that need to be used and handled.

OK. You'll see 2 books here, but i'll show the repair steps for the more complicated one.
It's complicated mostly by my choice. I want to keep the original bookplate and to keep all of the original paper of that ripped endpage.

You may not want to. It would be simpler and would, in fact, look neater to discard the torn paper and make a big, neat, new pastedown. But I like the plate. I like the personal history in an old book. And I also tend to keep as much of a book's original material as possible ... just ... because!

The general idea is to secure the text block to the cover.

The first step requires a decision. There's paper backing against the bound page edges.

The bookbinding guide calls this the "hollow back." It is NOT hollow, it's thoroughly glued to the bound edges, but they call it that.

Is that backing secure? Or is it shredding, or peeling off?

If it needs fixing or replacing, this is the time to do either one, by gluing it down, or peeling it away and replacing it, the same way I have placed new paper on this one.

Two views, one from each angle:

But in this case, the old backing was very securely glued down already and needed no attention, so I just placed the new piece on top of it.

Now -- BEFORE gluing the book together, it's a very very good idea to close the book on the new piece.

This shows me exactly how the piece will conform to the cover.
AND when I DO put glue on the pieces, they will already be shaped to each other and will fit together in their natural position, without pulling against each other.

All I need to do now is glue the new piece onto the cover.


IMPORTANT : NOTE that I have put NO GLUE ON THE SPINE. The cloth spine is not supposed to stick to the back of the pages. The text block, as it's called, just kind of hangs into the spine like a hammock, attached ONLY at the hinges.

Press it together. Since glue always oozes out around the edges, lay wax paper between the repair and its facing page, till the glue dries.

If I were discarding the old torn edges, I'd pretty much be finished, but I chose to trim the new piece to fit around the plate ... and to glue the torn paper back onto the pastedown. It looks kind of yucky, since it's been crumpled down into the spine, probably for decades, and darkened. But I wanted to put it back where it belonged!

And here are both books. In the other one you can see that this technique makes a pretty neat repair, especially if you sort-of color match new paper to the old paper.

This is another book I should sell. I'm not sure that a real booklover should even be in this business. I should sell collectible thimbles or something.

Marvels of Insect Life, by Edward Step. NY:Robert M. McBride, 1916.



Loads of amazing photos. as well as the spectacular color plates. This photo close-up of a honeybee's tongue is amazing. Maybe I'll sell it ... um ... later.

Wednesday, August 13, 2008

Book mending

Odd, for this time of year -- instead of the typical now-it's-here, now-it's-gone afternoon thunderstorm, we had a relatively cool, quiet day of steady rain. Good day to spend mending a few of the world's tatters by repairing books.

This is more a How I spent My Day post than an advice essay, but here's what I did, for what it's worth.

1. I repair a book only when I'm willing to destroy its value. Honest - if you even think it may have value, repair will most likely destroy that value. When in doubt, don't. Repair it only if you want to use it! I don't repair them if I plan to sell them. The ones I mended were only for me and others who asked.



2. The right paper and glue are a must. I go to the craft store and hit the scrapbooking section. This paper is designed to take glue without getting soggy, and it's acid-free, and you can get colors that approximate the various shades of vintage paper. You can also get acid-free glue, and it even comes in a bottle with a nice pinpoint tip. The wax paper is also a must.




3. If one little bit of the original connection is still hanging on, it's worthwhile to me to loosen it. I want to make a whole new hinge.



4. My method is to make a hinge by shingling a new piece under the free edge and then over the other, still-intact side.



5. This part is important and hard to describe: the new hinge needs to be tucked into the binding in a natural S-curve. Otherwise when I open the book after the glue dries, the paper "bridge" that spans the break will just split apart again. You can see this better on the 1912 bird book, its repair job illustrated below.


6. I place wax paper between the repair and the intact side, then close it to let the glue dry.



The last picture shows a wonderful bird book I repaired long ago. I add it because the color contrast of the paper shows the shingled hinge structure better.
Addendum: A comment already! 8~) and I need to add something:
The book I show the steps for, above, and this one also demonstrate that it doesn't matter much which direction the repair goes. If the better free end is on the inside cover (the demo book in the above photos) I use that and glue the hinge onto the free endpage. But if the free endpage edge gives me a better one, as it did in the bird book, I hinge under THAT one and glue it to the inside cover.

It's Chester A. Reed's Birds of Eastern North America. Doubleday, Page, 1912. Color on every page, and a bittersweet reminder of when the ivory-billed woodpecker was merely "rare."




Yep, I wanted to keep and handle this one, which is why I repaired it. It's a wonder I ever sell anything.